A Mother & Child Session, with Carolyn Mara Borlenghi & Co.

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My dear friend Carolyn, who participates in Childhood Unplugged with me, came out from Florida to visit and I was more than delighted when she asked me to snap some photos of her and her boys at the iconic Beverly Hills Hotel. The entire shoot was very comfortable and felt very collaborative, with more art direction than is typical of my documentary style, though I’ve come to love it nearly just as much. It feels so fulfilling to have a vision and then to execute it. And with such a beautiful artist in her own right as my subject, it was awfully easy. Her boys were a joy to work with, sweet and charming and downright handsome. A with a love like they have for their mama, it all flowed naturally and smooth. Made me think I need to get in the frame with my boys more given the fact that they love me so dearly at this point in life (hashtag: subject to change). In any event, Carolyn is all kinds of beautiful; equal parts elegant and fun.

Interested in hiring me for a session, wedding, or event? Email me: ashleyjennett @ gmail.com

Visual Supplement: William Eggleston

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“A picture is what it is and I’ve never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn’t make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they’re right there, whatever they are.”
– William Eggelston, always known in my book as the father of color photography

A Family Session, with The Gibsons

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That’s not to say this shoot was chaotic. Not for me, at least. Though Kelly and Roger may tell you otherwise. I captured this family, in their home and alongside the Columbia River in Vancouver, Washington.
Interested in booking a session? You can visit my website for more information, or email me: ashleyjennett @ gmail.com. I’ll be in Northern California October 19-22 and have just a few slots left.

Childhood Unplugged, with Alain Laboile

“Time goes by so quickly. I would like my photos to allow my children to dive back into their childhood when they are adults and feel past emotions. These photographs can be a good help to build themselves as parents. We understand our children better when we remember the child whom we once were and how we lived.”

There’s a fantastic interview with French photographer Alain Laboile over on Childhood Unplugged that I urge all of you to check out.

Sally Mann

“I struggle with enormous discrepancies: between the reality of motherhood and the image of it, between my love for my home and the need to travel, between the varied and seductive paths of the heart. The lessons of impermanance, the occasional despair and the muse, so tenuously moored, all visit their needs upon me and I dig deeply for the spiritual utilities that restore me: my love for the place, for the one man left, for my children and friends and the great green pulse of spring.” – Sally Mann

A Family Session, with The Hillman Family

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I photographed The Hillman Family in their hometown of Portland, Oregon during my recent time spent up in the Pacific Northwest. They invited me into their beautiful 1940’s home nestled in a quiet neighborhood in the hills looking down on the city. We spent sometime inside before venturing to their backyard, which is something Aaron build himself and surprised Amy with on her birthday years ago. You better believe I came home telling Willy all about this new bar that has been set. Little Josie picked what was left of the blueberries, chased the cat, and picked some flowers for each of us. Her little curls as sweet as her smile. We finished the shoot at a park up the hill from their home.

I’d love to open myself up for more travel sessions. If you’re in the US and interested in having me out to your area, shoot me an email. It’s been such a pleasure traveling and meeting new families. And in case you missed it, I’ll be in the Northern California region October 18-21 and am looking to book a few shoots while there.

A Photography Series: Staying true to the artist in you

Taste is not something you can teach, it’s just innate. I heard an interesting interview with Jerry Springer on a morning radio program a while ago. They were asking him about Kim Kardasian and why he thought she was so successful. Jerry went on to explain how the entertainment industry has become democratized. Stay with me, I’ll tie this all together. He said, back in the day, people used to listen to radio programs because of the DJ. Then people started calling in and all the sudden people were listening to the radio to hear what the callers were going to say. Then talk shows became big and people were, once again, watching to see how the audience was going to react. Then shows like American Idol came along and all the sudden the audience had complete control over who was going to be the next star. Gone are the days where a bunch of big-wigs sit around an over sized table and decide who the next big star is going to be. So, ya see, it doesn’t always have to do with talent (or taste) so much as it has to do with appealing to the masses. And in so many cases, especially in terms of art, the general public lacks taste. Hence, why Kim Kardashian is successful.
Let me digress again. I’ve done a lot of traveling to a lot of poor countries where people idolize me for simply being American. Then, when I return home and venture to the middle of butt-fuck-no-where I look around in disbelief at what makes up a HUGE core of the US… people like honey boo boo… I think about those people from those poor countries who have this fanatical ideal of the US and feel sorry for them… someone has obviously pulled the wool over their eyes. We aren’t all we’re cracked up to be.
Back to my point. I will always value quality over quantity. I may get 20 more photography gigs if I start posing newborn babies on lily pads with pearls around their necks. But it’s not my style. Someone else can do it better in me and see the beauty in it. I don’t. And I’m okay with missing out on those 20 clients for the 1 that respects my approach/style/taste/work. Everyone is entitled to their opinion and everyone is going to have different tastes. That’s what makes it all the more magical when you do find a client that is right for you. Like love, there is presumably someone out there for each of us. The debate then becomes are you willing to sacrifice your own taste to please a broader range of clients? What I’ve learned is that you have to follow your own instinct and try your hardest not to even look at what anyone else is doing, whether you like what they’re doing or not. Just do your thing.

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SF Photography Sessions

I’ll be shooting a wedding up in Guerneville in October and am hoping to extend my stay and open myself up for any Northern California travel sessions for anyone interested. I’ll be booking sessions October 18th through the 21st. If you’re interested in more details, please shoot me an email: ashleyjennett @ gmail.com. And if anyone has any insight into affordable places to stay, I’m all ears.

A Family Session

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Studio City, California
Interested in booking a session? Email me: ashleyjennett @ gmail.com. Also a reminder that I’ll be in the PNW August 5-10 and have just a couple slots left if anyone is interested in booking in that area. Thanks.

 

Mother’s Day Special

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I never tire of shooting my boys, but when given the opportunity to shoot other people – especially when it means getting us Mamas in the frame – I’m so grateful. So Mamas, this one is for you. Tell your husbands, tell your friends. Feed my hunger (figurative hunger, but let’s not kid, literal hunger, too). Mother’s Day sessions, $595, Price includes approximately an hour of shooting in or around your home and all edited high resolution images.

And to sway you a bit more, a recent testimonial: “Ashley did not just take our pictures; anybody can do that. She captured exactly who we are as a family. She has a magical way of highlighting the idiosyncrasies and quirks that make us, us. She took the time to get to know us and was so incredibly patient with our boys, who are not always easy. Looking at our images brings tears to my eyes every time because she saw all those moments that so often go unnoticed; my hand in my son’s hair, the way our boys make my husband laugh, the Cheerios required to keep them still. These are all the things that make up parenthood that we so often forget as the days pass hectically, and Ashley has frozen these moments in time for us. We could not recommend Ashley enough, she is the best investment you could make for your family’s memories”. – Amy Bell

Email me: ashley @ thestorkandthebeanstalk.com to book today.

A story

sebtaylorI was waiting for Willy and the boys outside of a Renaissance Festival in Arizona when this couple walked past me and into the festival. I was drawn to them immediately. When Willy made his was to the entrance with the boys, I mentioned the urge I had to photograph them. I thought there was a chance I’d find them until we actually entered and realized that the grounds were huge; my chances of coming across them again was like finding a penny someone dropped for you in a mall. We watched the whip show, ate some food, sat for part of a comedy show, met up with some friends, and killed hours just walking around. At the end of the day, we made our way back to a pottery booth near the entrance where I had bought something but left it there for easy pick-up once we were ready to leave. And there they were.
I grabbed the girl gently by the arm and positioned her next to her boyfriend and recall saying something along the lines of, “I’m going to take your photo, I don’t even care what you say”. Numbers were exchanged and the next thing I knew I was photographing them alongside a river. She wore the same flower crown she had on when I first saw them. That evening, we all became friends. I photographed them again the next time I was in Arizona.
And now, the images live in a published magazine.
Publication aside, because that’s not what it’s about, it goes to show that if you’re drawn to someone – for whatever reason – you should reach out. I’m not always so ballsy. In fact I’ve become a coward more times than I’ve had the balls to approach. But the last two years or so, as I’ve matured (I chalk it up to maturity, anyways) I’ve asked myself “why the hell not” and replaced self-ridicule with an I-don’t-give-a-damn mentality. I think that along with the rise in handheld phones / computers, we’ve lost the art of conversation with strangers and I personally would love to make the extra effort more often. I sat down in my seat on our flight to Utah, for example, and the entire row of people next to me were looking down at their iPhones. Perhaps it’s a separate topic. Point being, people are really special. It’s one of the parts I love about photography the most; it gives me a reason to walk outside of my comfort zone. Camera hanging from my shoulder or not, I’d like to think I’d still make the effort.
I challenge you all to start a conversation with a stranger sometime this week. I’ll do the same.
And because I dig the layout of the spread, here they are, in Mozi Magazine. The images of them above are from when I ran into them at the Renaissance Festival.

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A picture with nobody in it

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I was editing some photos the other night, after the boys went to bed, and I had an epiphany. Epiphanies, for me, aren’t anything life changing; rather, they’re little zaps of “ah-ha’s” that serve to remind me that I’m on the right track.
So I was editing this image and I thought this: you can never look at one of your own photos and separate yourself from the emotions you felt while taking the image. And whatever that emotion may be will have complete control over your opinion of the image.
And it’s because of that emotion present, or not present, at the time the picture is taken that every image tells a story.
I’m typically drawn to images with people in them because I can understand humanity better than I can architecture, or plants, or landscapes. But I paused at this particular photo because I realized that it, too, tells a story.
I think a lot about the memories I’ll take with me as my boys grow up. You can take all the photos in the world along the way, but the reality is that only certain memories will stick. So often, the mundane – the really beautiful mundane – slips away and lives only in form of a picture of a memory forgotten.
But this photo? It’s one I’d ordinarily skip right over, right off as nothing special; “because it’s boring… there’s nobody in it” says that voice in my head.
And I’m documenting it here, because this is a seemingly mundane memory that I don’t want to forget; of my boys sitting in the backseat of their grandpa’s pickup truck, no seat belts, standing on the floorboard watching in amazement as we pass cow after cow only to drive up to the haystacks, where my father-in-law knows all the birds hang out, and watch what seemed to be thousands of birds fly into the oblivion like some sort of mass exodus; my boys’ mouths open, eyes wide.
And then I thought, “ya know, I love this image”. Even if there’s no one in it.

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Lucca Valentine for Paush

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I met Shella, from Sweet Threads, and Tori, from Sitting in a Tree, down at Moose’s Ice Cream shop in San Diego to shoot their Lucca Valentine for Paush line. It was a blast. And if you have a little girl, you should check out their vintage-inspired line. It’s adorable.
Inspired by Tori’s daughter’s, Lucca Valentine, and her wardrobe and style, the limited edition line is a collection of timeless silhouettes, frothy fabrics, and playful prints. It really doesn’t get any cuter.
The first release of styles perfect for Valentine’s Day, will be Saturday, February, 7th 9am PST (online) and 11am PST (in-store). 
Interested in hiring me for a similar shoot? Email me: ashley@thestorkandthebeanstalk.com.